
























Georgia started performing at the age of 10 in various school productions including Cabaret and Wicked.
Theatre credits include: Gabz in David Walliams’ Demon Dentist (UK Tour), Souffle in Lighthouse Poole’s production of Beauty and the Beast (for which she was nominated as Best Newcomer at the 2022 Panto Awards).
TV credits include: Holby City, Doctors, CBBC’s So Awkward, and CBBC’s Secret Life of Boys. In 2023, Georgia started a children’s show which can be found on Patreon and YouTube: School of G! She also has a YouTube channel, Acting Up With G!, which highlights her acting experiences.

Elena trained in Musical Theatre at the Performance Preparation Academy in Guildford.
Theatre credits include: Faith in Kindertransport (Nottingham Playhouse), Little Tree in Little Fir Tree (Kings Place Theatre), Catherine Parr in SIX (Norwegian Cruise Line), Sacagawea/Frida Kahlo/Marie Curie in Fantastically Great Women Who Changed The World (UK Tour).
TV credits include: Simone Blignaut in Locked Up Abroad (National Geographic).
Elena is delighted to return to the show here at The Other Palace this summer.

Meg trained at Mountview Academy.
Her theatre credits include: Sophie in Mamma Mia (Novello Theatre), Ash/Cinderella in Cinderella (Hall for Cornwall) and Main Cast Girl 7 in Oliver! (Theatre Royal Drury Lane).
Credits while training include: Emilia in William Shakespeare, Marty in Circle, Mirror, Transformation, Lady Macbeth/Witch in Macbeth, Mrs Tancred in Juno & The Paycock, Fanny Squeers in Nicholas Nickleby and Multi-role in The Angry Brigade.
Film and TV credits include: Flora in Patch (Acting Gymnasium), Ellie in The Scourge (Brook Blake), School Girl 2 in The London Road (National Theatre) and Elizabeth in The Rose On No Man’s Land (Turtle Canyon) and Amelia Crosby in Doctors (BBC/ITV). Other credits include: Chorus in The Theatre Channel – Episode 2 (Dir. Bill Dreamer) and Daughter in Carte D’Or (Dir. Andrew Chaplin).

Charlotte trained at Arts Ed.
Theatre credits include: A Midsummer Night’s Dream (RSC); Sunset Boulevard (Savoy Theatre/The Jamie Lloyd Company); Assassins (Chichester Festival Theatre); The Wizard of Oz (Curve Leicester); Into the Woods (Theatre Royal Bath); The Boy in the Dress (RSC Original Cast); Sweet Charity (Donmar Warehouse); Heathers The Musical (Original West End Cast); She Loves Me (Landor Theatre/Offie Awards Nomination for Best Female).
TV and Film credits include: Call the Midwife Season 11 (BBC); Britain’s Got Talent (Runner-up 2012); This Morning (ITV); Songs of Praise (BBC); Red or Black (ITV); Comic Relief (BBC); Jonathan & Charlotte the Documentary (ITV); The Military Awards (ITV); The Morning Show (QVC); Breast Cancer Care (QVC) and Alan Titchmarsh (ITV).
Workshop credits include: The Witches (National Theatre); Songs for Slutty Girls (The Other Palace).
Instagram & TikTok: @charlottejaconelli
Twitter: @char_jaconelli
Anelisa trained at the London College of Music and Mountview Academy of Musical Theatre.
Theatre credits include: Miriam Makeba in The Rumble In The Jungle, Asaka in Once on This Island (Regent’s Park), Church Soloist/Cover Sophia in The Color Purple (Leicester Curve), Addaperle in The Wiz (Hope Mill Theatre), Heather in Sunset Boulevard (Alexandra Palace Theatre), Genie in Aladdin (Evolution Productions), Arethia & Erynill in Some Like It Hip Hop (UK Tour & Peacock Theatre), Church Soloist in The Color Purple (Curve Leicester/Birmingham Hippodrome), Rafiki in The Lion King (Disneyland Paris).
Workshop credits include: Nina in I’m Every Woman – The Chaka Khan Musical (Mountview Academy), Julia in Fisk Jubilee A Play (Old Vic Theatre).
TV credits include: Adaaperle in The Wiz (BBC Big Night Of Musicals), South African National Anthem soloist – Rugby World Cup (ITV), Mrs Weaver in Hey Duggee (BBC Worldwide), Comic Relief (BBC), Later with Jools Holland (BBC), The X Factor (ITV), Children In Need (Adrian Lester & The BeatBox Collective, BBC), Arethia in Some Like It Hip Hop.

Aaliyah trained in dance and musical theatre at Ann Holland School of Theatre Dance, Suffolk and Stagebox Musical Theatre, London.
Theatre credits include: Summer in School of Rock (Gillian Lynne Theatre), Young Katie in SuperYou workshop and concert (Lyric Theatre, London) and Kids of the West End (Leicester Square).
Concerts include: West End Does The Magic of Animation (Cadogan Hall), West End Does Christmas (Cadogan Hall), West End Musical Christmas (Lyric Theatre, London).
Aaliyah is thrilled to join the cast of Fantastically Great Women Who Changed the World.

Summer trained at Mountview Academy.
Theatre credits include: Get Up Stand Up! (West End); Heathers (UK Tour) Fantastically Great Women Who Changed the World (UK Tour).
Credits while training include: The Choir in Magic at the Musicals (2021), Les Misérables, Company, Legally Blonde and Sondheim’s ‘Old Friends’ Tribute (2022).
To the Younger Generation – Women can DO and BE anything!

Rachel trained at Italia Conti Academy of Theatre Arts.
Theatre credits include: Dance Captain/Swing in Fantastically Great Women Who Changed the World (UK Tour), Vesta Tilley/Betty/Debutante in The Land of Might Have Been (Buxton Opera for Buxton International Festival), Fezziwig Guest/Swing in A Christmas Carol (Royal Shakespeare Company), Swing/Understudy Pritti in Everybody’s Talking About Jamie (Ahmanson Theatre, Los Angeles), Fatimah/Swing/Understudy Pritti in Everybody’s Talking About Jamie (Apollo Theatre, West End).
Television credits include: The Late Late Show with James Corden (CBS), This Morning (ITV) and Strictly: It Takes Two (BBC).
Other credits Include: Godspell 50th Anniversary Online Concert (Hope Mill Theatre).
Instagram: @rachelseirian
Twitter: @rachelseirian

Audra Cramer [She/Her]
Originally from Central New York, Audra worked as both a music director and actress/singer in NYC & the regional US before moving to the UK in 2017.
Most recent credits include: Rodgers and Hammerstein’s Cinderella (Music Director, Hope Mill Theatre/European Premiere) and Six (Dep MD/Joan, West End).
Audra has a passion for teaching and has held both permanent and guest tutor positions at the following universities: Mountview, LAMDA, Leeds Conservatoire, Royal Conservatoire of Scotland, London College of Music, SUNY Geneseo, and Nazareth University. She also teaches private singing lessons to students all over the world.
As always, love to Mom, Dad, Tom, Paudra, Don, & Family. It’s all about support!

Livs is a musical director, keyboard and trumpet player, composer, and orchestrator. Livs has just completed her MA in Musical Direction at Mountview Academy of Theatre Arts, following the completion of her undergraduate studies in music at the University of Sheffield. Livs was recently the Musical Director for Big Fish (The Mack, Mountview), and further Assistant Musical Director credits at Mountview include Oklahoma! and The Wonderful Wizard of Oz. Most recently she has played keys for Debbie Wileman’s I’m Still Here concert at the Ambassador’s Theatre, with music orchestrated and conducted by Jersey Boys’ Steve Orich.

Isis is a theatre and session musician from Yorkshire, now based in London.
They graduated from Trinity Laban Conservatoire of Music in 2019 with First Class Honours.
Their theatre credits include: SIX (Vaudeville Theatre & UK Tour); Unfortunate (UK Tour); Little Shop of Horrors (UK Tour); Fantastically Great Women Who Changed the World (UK Tour); The Book Thief (UK Tour); Hedwig and the Angry Inch (UK Tour); and Motown the Musical (Shaftsbury Theatre).
Their session credits include: The Last Dinner Party; Wise Woman; and Urban Soul Orchestra.
Their TV credits include: Channel 5’s The Good Ship Murder.

Chris is an award-winning playwright and lyricist. Her recent credits include THE BAND PLAYS ON and STANDING AT THE SKY’S EDGE (Sheffield Theatres), NINE LESSONS AND CAROLS (Almeida Theatre), FAUSTUS: THAT DAMNED WOMAN (Headlong) and PERICLES (National Theatre). Her awards include: Brit Writers’ Award, Perfect Pitch, two UK Theatre Awards and the National Young Playwrights’ Festival.

Chris Bush
Chris is an award-winning playwright and lyricist. Her recent credits include THE BAND PLAYS ON and STANDING AT THE SKY’S EDGE (Sheffield Theatres), NINE LESSONS AND CAROLS (Almeida Theatre), FAUSTUS: THAT DAMNED WOMAN (Headlong) and PERICLES (National Theatre). Her awards include: Brit Writers’ Award, Perfect Pitch, two UK Theatre Awards and the National Young Playwrights’ Festival.
Miranda Cooper
Miranda Cooper is a British songwriter who has worked in the music industry since 1996 when she gained her first recording contract. In 1997, she met Brian Higgins, the founder songwriting and production team, Xenomania and started songwriting together, finding commercial success and critical acclaim with their productions for Girls Aloud and Sugababes, Pet Shop Boys, Franz Ferdinand, Kylie & Alesha Dixon.
At one point Cooper’s songs spent more years on the UK chart than any other female songwriter in the UK and she has penned 4 number one hits – Round Round, Hole in the Head for the Sugababes and Sound of the Underground and The Promise for Girls Aloud. She has had 35 top 10 hits.
It was only a matter of time before Miranda’s unique songwriting abilities were called upon to co-write new musicals Billionaire Boy (Nuffield Theatre, Southampton; Winner of Best show for Children and Young People at the UK Theatre Awards 2019); Son of Rambow (in development) and the forthcoming adaptation of Judith Kerr’s When Hitler Stole Pink Rabbit for the Old Vic Theatre.
Miranda Cooper
Miranda Cooper is a British songwriter who has worked in the music industry since 1996 when she gained her first recording contract. In 1997, she met Brian Higgins, the founder songwriting and production team, Xenomania and started songwriting together, finding commercial success and critical acclaim with their productions for Girls Aloud and Sugababes, Pet Shop Boys, Franz Ferdinand, Kylie & Alesha Dixon.
At one point Cooper’s songs spent more years on the UK chart than any other female songwriter in the UK and she has penned 4 number one hits – Round Round, Hole in the Head for the Sugababes and Sound of the Underground and The Promise for Girls Aloud. She has had 35 top 10 hits.
It was only a matter of time before Miranda’s unique songwriting abilities were called upon to co-write new musicals Billionaire Boy (Nuffield Theatre, Southampton; Winner of Best show for Children and Young People at the UK Theatre Awards 2019); Son of Rambow (in development) and the forthcoming adaptation of Judith Kerr’s When Hitler Stole Pink Rabbit for the Old Vic Theatre.
Jennifer Decilveo
Songwriter and producer Jennifer Decilveo began her career in 2013 after quitting her career in finance to pursue her passion of music. Jenn moved from Manhattan to Los Angeles, and first broke through in 2015 with Andra Day and the Grammy-winning track, “Rise Up.” With a focus on authenticity and a passion for crafting meaningful songs, Decilveo has since established herself as one of music’s premiere songwriter/producers, writing on Melanie Martinez’ RIAA-certified platinum single “Play Date” and Demi Lovato’s platinum single “I Love Me.” Decilveo has also seen success with Anne Marie, Miley Cyrus, Olivia O’Brien, Hinds, Cherry Glazerr, Beth Ditto, Porridge Radio, Shura, Bat for Lashes and more.

Amy’s recent production of Mr Gum and The Dancing Bear – The Musical! at the National Theatre was nominated for an Olivier Award for best family show 2020. She has directed in some of the biggest theatres in the country including, The Globe, The Royal Exchange and The Young Vic. She was Associate Director at Headlong 2015-18 and recipient of the Jerwood Directors Award 2008.

Joanna is a multi award-winning production designer within the Live Arts industry. She is based in London, working across the UK and internationally. Her credits include RSC, Old Vic, Channel 4 Arts, The Royal Opera House. Her recent theatre work includes productions at Shakespeare’s Globe Theatre, Young Vic, Royal Court, Manchester Royal Exchange, Chichester Festival Theatre and the Abbey Theatre, Dublin. Awards include the Olivier for Best Costume Design, Emilia and Whatsonstage ‘Best Set Designer’ Award for The Railway Children.

Dannielle ‘Rhimes’ Lecointe is a choreographer, actor, spoken word artist, speaker and business owner.
For the National:
In London’s West End: as performer, Into the Hoods; as associate choreographer, Everybody’s Talking About Jamie
Other theatre includes: as a performer, Pied Piper and Over the Edge for Boy Blue Ent; as choreographer, Dick Whittington for National Theatre, Into the Hoods: Remixed for ZooNation: The Kate Prince Company; as Boadicea choreographer and a performer, tours of Digitized, Limitless, Limitless The Reboot and Up Close and Personal with Diversity; as assistant choreographer and dance captain, London 2012 Olympic Opening Ceremonies; as associate choreographer, An Officer and a Gentleman on UK tour; as assistant choreographer, Sylvia for ZooNation: The Kate Prince Company; as director, Groove on Down the Road for ZooNation Youth Company at Wolverhampton Arena, Birmingham Hippodrome and Southampton Mayflower
Dannielle ‘Rhimes’ Lecointe was previously Artistic Director of ZooNation Youth Company. She founded The Artist Hub and is the CEO of I M Power Creatives.
TV
Got to Dance (choreographer for Boadicea Crew and Supercrew), So You Think You Can Dance (assistant choreographer), BBC Young Dancer (judge/mentor)
Film
As performer: Life and Lyrics, Street Dance 3D; as associate choreographer, Everybody’s Talking About Jamie

Zoe Spurr is an award-winning lighting designer who has worked on the West End, throughout the UK and internationally. Recent designs include WUTHERING HEIGHTS for the Royal Exchange; RUN SISTER RUN for Sheffield Crucible/Paines Plough; HEDDA TESMAN for Chichester Festival Theatre; HOW NOT TO DROWN at Traverse Theatre; THE PHLEBOTOMIST for Hampstead and EMILIA in the West End.

Carolyn Downing is an Olivier award winning sound designer working in a variety of fields including exhibitions, fashion, theatre and live events. Creativity and collaboration is at the heart of her work from initial concept development with fellow designers through to realisation with technical and project delivery teams. Carolyn’s work in theatre includes Summer & Smoke for Sonia Friedman Productions/Almeida nominated for Olivier Award for Best Sound Design 2019; The Welkin (2020), Downstate (also at Steppenwolf Chicago 2018/19), Mr Gum & The Dancing Bear – The Musical (2019), As You Like It (2015), Our Country’s Good (2015), The Motherf***er With The Hat (2015), Dara (2015), Protest Song (2012) and Double Feature (2011) for the National Theatre; Death Of A Salesman (Young Vic/WE 2019/20); All My Sons for The Old Vic Theatre (2019); White Teeth for The Kiln Theatre (2018); Gypsy (2019), The Producers (2018) for The Royal Exchange Theatre, Manchester; Chimerica for Almeida & Sonia Friedman Productions/West End awarded Olivier for Best Sound Design 2014; Carmen Disruption (2015), Blood Wedding (2006) for Almeida; Me And My Girl (2018), Fiddler On The Roof (2017) for Chichester Festival Theatre; BLANK (2019), Les Liaisons Dangereusse (also on Broadway 2015/16), Fathers and Sons (2014), Lower Ninth (2010), Dimetos (2009) and Absurdia (2008) for Donmar Warehouse; Hope (2014), The Low Road (2013), Choir Boy (2012) at the Royal Court; Fantastic Follies Of Mrs Rich (2017), Julius Caesar (2017), Anthony & Cleopatra (2017), Coriolanus (2017), The Gods Weep (2010), The Winter’s Tale, Pericles for the RSC (2007); The Believers (2014), Beautiful Burnout (2010), Love Song (2011) for Frantic Assembly. Designs for opera include Benjamin De Derniere Nuit for Opera De Lyon (2016) ; How the Whale Became (2013) at the Royal Opera House; American Lulu for the Opera Group (2013); and After Dido at ENO (2009). Her work in exhibitions spans a variety of styles and venues including Reimagining Wordsworth for The Wordsworth Trust, Grasmere (2020); Hut 11A: The Bombe Breakthrough for Bletchley Park (2018); Mary Quant (2019) and So You Say You Want A Revolution? Records & Rebels 1965-70 (2016) for V&A; Exhibitionism: The Rolling Stones at Saatchi Gallery (2016); Louis Vuitton: Series 3 (2015); Collider (2014) and The Constellation Storybox (2015) for The Science Museum and From Street to Trench for Imperial War Museum North (2014). Carolyn has created soundscapes for Shawn Mendes Illuminate Tour 2017 and Louis Vuitton: Spring/Summer 2015, Fall 2015, Spring/Summer 2016, Spring/Summer 2017 Ready To Wear Collection shows at The Louis Vuitton Foundation & The Louvre, Paris.
For further information and updates – www.carolyndowning.co.uk

Rob is the co-director of Sound Quiet Time. He has provided Sound Design and Engineering for musicals and plays around the Globe. He trained at Bristol Old Vic Theatre School (BA in Technical Theatre). Design Credits include: Ich War Noch Niemals In New York (German Tour); Murder Ballad (Arts); Looking A Lot Like Christmas(Live stream); Potted Panto (Live Stream); as Associate Designer: Frozen The Musical (Drury Lane & Hamburg); Anastasia The Musical (Madrid, Stuttgart, Scheveningen & Japan); Waitress (Adelphi & UK Tour); Life Of Pi (Wyndham’s); Gypsy (Royal Exchange); Something Rotten! (South Korea); Local Hero (Royal Lyceum); The Producers (Royal Exchange); Me And My Girl (Festival Theatre); The Jungle (Playhouse); Caroline Or Change (Playhouse & Hampstead ); War Horse (UK & International Tours); Fiddler On The Roof(Festival Theatre); Billy Elliot (UK tour & Circustheater); Wonder.Land (Théâtre du Châtelet & Palace); American Psycho (Almeida); The Scottsboro Boys (Garrick & Young Vic); One Man, Two Guv’nors (Haymarket & Tours); as Senior Production Engineer, Harry Potter And The Cursed Child (Palace); CHESS (Coliseum); The Da Vinci Code (UK Tour); The Moderate Soprano, Mary Stuart (Duke of York’s); Glengarry Glen Ross (Playhouse); Junkyard (UK Tour); Henry V, Blindness, Far Away, Blank, The Way Of The World, The Lady From the Sea, Saint Joan, One Night In Miami, Shakespeare Trilogy, Faith Healer, Teddy Ferrara & Les Liaisons Dangereuses(Donmar Warehouse); The Curious Incident Of The Dog In The Night-Time (UK & International Tours); A View From the Bridge (Wyndham’s); Frozen, The Elephant Man & Great Britain (Theatre Royal Haymarket); National Theatre 50 Years On Stage (Olivier); Consent, The Birthday Party, Hamlet, Nice Fish, Mojo & Chimerica (Harold Pinter); The Audience (Apollo & Gielgud); The Laurence Olivier Awards (ROH); NT Live (various productions). For more info visit, www.soundquiettime.com

Rosie is an independent Casting Director and one half of Pearson Casting, based in London, Liverpool and New York. Multi-Award nominated Pearson Casting work across musicals, drama, film, live performance and commercials. Recent theatre work includes SIX The Musical (West End & UK Tour; RENT (Hope Mill Theatre); Operation Mincemeat (Southwark Playhouse & Edinburgh Fringe; By The Waters of Liverpool (UK Tour), Stay Away Jake (Southwark Playhouse); Jerry Springer The Opera (Hope Mill Theatre); Forever Plaid (Upstairs at the Gatehouse) and Phantom Folktales (PigPen Theatre Co).
Recent feature films include Crystal (Xenon Films – release date 2022); Stephen (Melanie Manchot – release date 2022); Fetch (Hurricane Films, release date – 2022)
They are soon to announce their first US National Theatre tour, due to open in 2022.

Nick Coler
is a British songwriter, producer, programmer and multi instrumentalist.
He started his career as a a chorister singing in St Paul’s Cathedral.
He then followed the well trodden path of playing in bands and being a session musician
Playing all styles of music.
Perfect for writing musicals.
Nick has worked with Artists, Films and TV shows including.
Girls Aloud, Sugababes, Alisha Dixon, Pet shop boys, KLF, Alice Cooper / Wayne’s World, The Tweenies, Starlight express, Cher and many more.
He has been nominated 3 times for an Ivor Novello award and won various other accolades including the Yamaha music festival in Tokyo, Producer of the year and has recently won a UK Theatre award.


Jackie is an authentic, passionate and versatile movement artist with over 12 years experience in many dance styles. She’s loves story telling and always looks to inspire and encourage others through performance and teaching. With her diverse training background the classes she teaches are always fun, uplifting and empowering. Her top credits include Breaking Convention, London Fashion Week AW18, Diversity Live, ITV Loose Women, Resolution Festival, Clout! Fringe Festival (2019), The Tide – Talawa Theatre Company, Everyone’s Talking about Jamie (film), Body Politic – THEM, Some Like It Hip Hop (2019) a ZooNation production, English National Opera – Drive in Live and National Theatre – Dick Whittington Panto.

Jen is a London based orchestrator and arranger. She works regularly with the leading names in musical theatre and music production and has orchestrated for artists including Alison Moyet, Elaine Paige, Rick Wakeman, Beverley Knight, Pixie Lott, Joss Stone, Mick Hucknall, The Shires, Ian Broudie, Squeeze, Graham Coxon, Paul Carrack, Tom Robinson, Noah Stewart, Billy Bragg, Bella Hardy, Kate Rusby, Gabrielle Aplin, Andreya Triana, I am Kloot, Hue & Cry, Bright Light Bright Light.
Stage & live credits include: Vanara (Hackney Empire), Killing the Cat (S&S Productions), The Gingerbread Man (Singapore Repertory Theatre), ComposHer (London Contemporary Orchestra), Carl Davis’s Chaplin the Tramp (Slovak National Theatre), Carl Davis’s The Great Gatsby (Pittsburgh Ballet Theatre), Dr Dolittle (Music & Lyrics, UK tour), Chicken Little (Singapore Repertory Theatre), Baku 2017 (4th Islamic Solidarity Games), Wasted (West Yorkshire Playhouse), Baku 2015: 1st European Games (European Olympic Committee), Tim Rice: A Life in Song (Senbla Productions), Elaine Paige Farewell Tour (SJM Concerts), From Hackney to Hollywood: The Don Black Songbook (Senbla Productions), Dance ‘Til Dawn (additional orchestrations, UK tour & Aldwych Theatre), Van Winkle – a folk musical (studio cast recording, SimG Productions), A Musical Night of Queen (Royal Liverpool Philharmonic).
Radio, film & media credits include: Perfect Planet (additional orchestrations, BBC 1), Bridge Over Troubled Water: 50th Anniversary (contributing orchestrator, BBC Radio 2/Sony), Epic Cinemascapes (Audio Network), The Queen And I (additional orchestrations, Sky One), I Feel Love (BBC Radio 2/BBC 4), Battle of Britain at 75 (BBC Radio 2), Great American West (Audio Network), I Love You Daddy (additional orchestrations, Pig Newton/Jax Media), D-Day 70 years on (BBC radio 2), JFK: Minute by Minute (BBC Radio 2), The Dambusters 70 Years On (BBC Radio 2), 12 Hours to Please Me (BBC Radio 2/BBC 4), Titanic: Minute by Minute (BBC Radio 2).
As assistant orchestrator: She Loves Me (Menier Chocolate Factory), Classical Favourites (Audio Network), Opera Favourites (Audio Network), Candide (Menier Chocolate Factory), I Can’t Sing! The X-Factor Musical (London Palladium), The Colour Purple (Menier Chocolate Factory), National Theatre: 50 Years on Stage (National Theatre/BBC 2), Symphonic Coldplay (Royal Philharmonic Orchestra).
Jen read music at Worcester College, Oxford, where she studied composition with Robert Saxton, and holds an MA in Musical Theatre from Goldsmiths, University of London. She is delighted to be a recipient of Transmission Funding (2019) and an Emerging Excellence Award (2015), both from Help Musicians UK.
“Jen’s orchestration and arranging work has style and originality. She is a joy to work with.”
Mike Dixon
“Dazzling talent…beautiful and sensitive work.” Leslie Bricusse
“Stunning orchestrations throughout” Broadway World (for Van Winkle: A Folk Musical)

Audra Cramer is a music director, arranger, teacher, and performer. Born and raised in Central New York, Audra worked in New York City and the regional US before coming to the UK in 2017. Her most recent credits are Six (Cover MD/Joan, West End) and Rent (Alternate Music Director, Hope Mill Theatre).
As a teacher, Audra has held both permanent and guest tutor positions at the following universities: Mountview, Leeds Conservatoire, Royal Conservatoire of Scotland, and London College of Music. She also runs her own studio, teaching private lessons to professionals all over the world.
Love to Mom, Dad, Tom, Paudra, Don, and family!
Pronouns: she/her
KIMBERLEY TOWLER
Company Stage Manager
MONICA TRABUCCHI
Deputy Stage Manager
STEPHANIE HAMMERSLEY
ASM (Book Cover)
NEIL MCNALLY
Production Operator
HAZEL WARREN-COOKE
Sound No 2
NATASHA HUGHES
Head of Wardrobe
MEGAN DOYLE
Costume Supervisor
Kenny, past President of the Society of London Theatre (SOLT), is the worldwide producer of SIX The Musical and Mischief Theatre’s Goes Wrong Shows. He has been working in the West End since 1989, first as an usher, then as a flyman, box office clerk, follow spot operator and on-stage crew before venturing into producing.
Current productions running in the UK include SIX The Musical, The Play That Goes Wrong, Peter Pan Goes Wrong, Fantastically Great Women Who Changed The World, We’re Going On A Bear Hunt, Just For One Day the Live Aid Musical and Mind Mangler opening at the Apollo Theatre in March 2024.
Due to open at the Garrick Theatre in August 2024 is Marlow and Moss’s new musical, Why Am I So Single? In development, the company is working on The Boy Who Harnessed The Wind, based on the true story of William Kamkwamba who single-handedly built a windmill in his village to create electric light for his family’s dwelling.
Notable past productions include Unbelievable, Bugsy Malone, Identical, Tom, Dick & Harry, The Comedy About A Bank Robbery, as well as Laurence Olivier Award winning productions Top Hat (Best New Musical), Once On This Island (Best New Musical), The Worst Witch and Hey Duggee The Live Theatre Show (Best Family Show).
Kenny has so far produced nine stage shows with Mischief Theatre, including: The Play That Goes Wrong (winner of the Olivier Award for ‘Best New Comedy’ and a Tony Award on Broadway) which is entering its tenth year in the West End at the Duchess Theatre; Peter Pan Goes Wrong which completed successful runs in Los Angeles and Broadway before embarking on a UK tour starting in the West End; The Comedy About A Bank Robbery which ran for four years at the Criterion Theatre;
Mischief Movie Night which gained Mischief its fourth consecutive Olivier nomination and was streamed for the first time all over the world in December 2020; Groan Ups which played at the Vaudeville in autumn 2019 and later toured the UK and Magic Goes Wrong, made in collaboration with magicians Penn & Teller. Establishing Mischief Screen with Mischief Theatre, Kenny was Executive Producer of two Christmas television specials on BBC 1: Peter Pan Goes Wrong and A Christmas Carol
Goes Wrong, as well as the BBC comedy series The Goes Wrong Show, available on DVD with the second series available on BBC iPlayer.
MAST is a multi-art form cultural hub presenting and producing theatre, dance, musicals, music, comedy, circus, cabaret, spoken word, visual arts, family shows. They support artists living, making work, or with a connection to Southampton and Hampshire.
MAST is community-led, with engagement and consultation at the heart of everything they do. They work with the best touring companies and local artists to present a diverse, vibrant, high-quality artistic programme, alongside their own MAST productions and co-productions.
NICOLA SEED – General Manager
NAT HABETY – Head of Marketing
OLIVIA JOHNSTON – Marketing Coordinator
SOPHIE FULTON – Social Media Content Creator
FIONA TAYLOR – Production Coordinator
GEMMA PRINCE – Production Assistant
PAIGE CANAVAN-SMITH – Tour Booker
LETTIE GRAHAM – Chief Operating Officer
CAITLIN BARNES – Executive Assistant to Kenny Wax
AMANDA SUTTON – Graphic Designer
SEAN MCGETTIGAN – Office Assistant
ASHAKE MAJEKODUNMI – Financial Controller
ROB LEWTAS – Management Accountant
NATALIE GIES – Accounts Assistant
VICENTE CASANA – Accounts Assistant
CLAIRE HARRISON – Payroll Manager
RACHEL CASTORINA – Junior Accounts Assistant
With thanks to: Fiona Bradley, Susannah Jacobs, Jennifer Amey, Eliza Larkey
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At Fantastically Great Women Who Changed The World, accessible from https://fantasticallygreatwomenthemusical.com, one of our main priorities is the privacy of our visitors. This Privacy Policy document contains types of information that is collected and recorded by Fantastically Great Women Who Changed The World and how we use it.
If you have additional questions or require more information about our Privacy Policy, do not hesitate to contact us.
We are a Data Controller of your information.
Fantastically Great Women Who Changed The World legal basis for collecting and using the personal information described in this Privacy Policy depends on the Personal Information we collect and the specific context in which we collect the information:
Fantastically Great Women Who Changed The World will retain your personal information only for as long as is necessary for the purposes set out in this Privacy Policy. We will retain and use your information to the extent necessary to comply with our legal obligations, resolve disputes, and enforce our policies.
If you are a resident of the European Economic Area (EEA), you have certain data protection rights. If you wish to be informed what Personal Information we hold about you and if you want it to be removed from our systems, please contact us.
In certain circumstances, you have the following data protection rights:
Fantastically Great Women Who Changed The World follows a standard procedure of using log files. These files log visitors when they visit websites. All hosting companies do this and a part of hosting services' analytics. The information collected by log files include internet protocol (IP) addresses, browser type, Internet Service Provider (ISP), date and time stamp, referring/exit pages, and possibly the number of clicks. These are not linked to any information that is personally identifiable. The purpose of the information is for analyzing trends, administering the site, tracking users' movement on the website, and gathering demographic information.
Like any other website, Fantastically Great Women Who Changed The World uses 'cookies'. These cookies are used to store information including visitors' preferences, and the pages on the website that the visitor accessed or visited. The information is used to optimize the users' experience by customizing our web page content based on visitors' browser type and/or other information.
For more general information on cookies, please read "What Are Cookies".
You may consult this list to find the Privacy Policy for each of the advertising partners of Fantastically Great Women Who Changed The World.
Third-party ad servers or ad networks uses technologies like cookies, JavaScript, or Web Beacons that are used in their respective advertisements and links that appear on Fantastically Great Women Who Changed The World, which are sent directly to users' browser. They automatically receive your IP address when this occurs. These technologies are used to measure the effectiveness of their advertising campaigns and/or to personalize the advertising content that you see on websites that you visit.
Note that Fantastically Great Women Who Changed The World has no access to or control over these cookies that are used by third-party advertisers.
Fantastically Great Women Who Changed The World's Privacy Policy does not apply to other advertisers or websites. Thus, we are advising you to consult the respective Privacy Policies of these third-party ad servers for more detailed information. It may include their practices and instructions about how to opt-out of certain options.
You can choose to disable cookies through your individual browser options. To know more detailed information about cookie management with specific web browsers, it can be found at the browsers' respective websites.
Another part of our priority is adding protection for children while using the internet. We encourage parents and guardians to observe, participate in, and/or monitor and guide their online activity.
Fantastically Great Women Who Changed The World does not knowingly collect any Personal Identifiable Information from children under the age of 13. If you think that your child provided this kind of information on our website, we strongly encourage you to contact us immediately and we will do our best efforts to promptly remove such information from our records.
Our Privacy Policy applies only to our online activities and is valid for visitors to our website with regards to the information that they shared and/or collect in Fantastically Great Women Who Changed The World. This policy is not applicable to any information collected offline or via channels other than this website.
By using our website, you hereby consent to our Privacy Policy and agree to its terms
| Cookie | Duration | Description |
|---|---|---|
| cookielawinfo-checkbox-advertisement | 1 year | The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Advertisement". |
| cookielawinfo-checkbox-analytics | 11 months | This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Analytics". |
| cookielawinfo-checkbox-functional | 11 months | The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". |
| cookielawinfo-checkbox-necessary | 11 months | This cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category "Necessary". |
| cookielawinfo-checkbox-others | 11 months | This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. |
| cookielawinfo-checkbox-performance | 11 months | This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Performance". |
| viewed_cookie_policy | 11 months | The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. It does not store any personal data. |
| Cookie | Duration | Description |
|---|---|---|
| _ga | 2 years | This cookie is installed by Google Analytics. The cookie is used to calculate visitor, session, campaign data and keep track of site usage for the site's analytics report. The cookies store information anonymously and assign a randomly generated number to identify unique visitors. |
| _ga_R116RFWQ2Z | 2 years | This cookie is installed by Google Analytics. |
| _gat_gtag_UA_57228194_18 | 1 minute | This cookie is set by Google and is used to distinguish users. |
| _gid | 1 day | This cookie is installed by Google Analytics. The cookie is used to store information of how visitors use a website and helps in creating an analytics report of how the website is doing. The data collected including the number visitors, the source where they have come from, and the pages visted in an anonymous form. |
