Cast To Be Announced
ADAPTER
CHRIS BUSH
Chris is an award-winning playwright and lyricist. Her recent credits include THE BAND PLAYS ON and STANDING AT THE SKY’S EDGE (Sheffield Theatres), NINE LESSONS AND CAROLS (Almeida Theatre), FAUSTUS: THAT DAMNED WOMAN (Headlong) and PERICLES (National Theatre). Her awards include: Brit Writers’ Award, Perfect Pitch, two UK Theatre Awards and the National Young Playwrights’ Festival.
LYRICS
CHRIS BUSH & MIRANDA COOPER
Chris Bush
Chris is an award-winning playwright and lyricist. Her recent credits include THE BAND PLAYS ON and STANDING AT THE SKY’S EDGE (Sheffield Theatres), NINE LESSONS AND CAROLS (Almeida Theatre), FAUSTUS: THAT DAMNED WOMAN (Headlong) and PERICLES (National Theatre). Her awards include: Brit Writers’ Award, Perfect Pitch, two UK Theatre Awards and the National Young Playwrights’ Festival.
Miranda Cooper
Miranda Cooper is a British songwriter who has worked in the music industry since 1996 when she gained her first recording contract. In 1997, she met Brian Higgins, the founder songwriting and production team, Xenomania and started songwriting together, finding commercial success and critical acclaim with their productions for Girls Aloud and Sugababes, Pet Shop Boys, Franz Ferdinand, Kylie & Alesha Dixon.
At one point Cooper’s songs spent more years on the UK chart than any other female songwriter in the UK and she has penned 4 number one hits – Round Round, Hole in the Head for the Sugababes and Sound of the Underground and The Promise for Girls Aloud. She has had 35 top 10 hits.
It was only a matter of time before Miranda’s unique songwriting abilities were called upon to co-write new musicals Billionaire Boy (Nuffield Theatre, Southampton; Winner of Best show for Children and Young People at the UK Theatre Awards 2019); Son of Rambow (in development) and the forthcoming adaptation of Judith Kerr’s When Hitler Stole Pink Rabbit for the Old Vic Theatre.
MUSIC
MIRANDA COOPER & JENNIFER DECILVEO
Miranda Cooper
Miranda Cooper is a British songwriter who has worked in the music industry since 1996 when she gained her first recording contract. In 1997, she met Brian Higgins, the founder songwriting and production team, Xenomania and started songwriting together, finding commercial success and critical acclaim with their productions for Girls Aloud and Sugababes, Pet Shop Boys, Franz Ferdinand, Kylie & Alesha Dixon.
At one point Cooper’s songs spent more years on the UK chart than any other female songwriter in the UK and she has penned 4 number one hits – Round Round, Hole in the Head for the Sugababes and Sound of the Underground and The Promise for Girls Aloud. She has had 35 top 10 hits.
It was only a matter of time before Miranda’s unique songwriting abilities were called upon to co-write new musicals Billionaire Boy (Nuffield Theatre, Southampton; Winner of Best show for Children and Young People at the UK Theatre Awards 2019); Son of Rambow (in development) and the forthcoming adaptation of Judith Kerr’s When Hitler Stole Pink Rabbit for the Old Vic Theatre.
Jennifer Decilveo
Songwriter and producer Jennifer Decilveo began her career in 2013 after quitting her career in finance to pursue her passion of music. Jenn moved from Manhattan to Los Angeles, and first broke through in 2015 with Andra Day and the Grammy-winning track, “Rise Up.” With a focus on authenticity and a passion for crafting meaningful songs, Decilveo has since established herself as one of music’s premiere songwriter/producers, writing on Melanie Martinez’ RIAA-certified platinum single “Play Date” and Demi Lovato’s platinum single “I Love Me.” Decilveo has also seen success with Anne Marie, Miley Cyrus, Olivia O’Brien, Hinds, Cherry Glazerr, Beth Ditto, Porridge Radio, Shura, Bat for Lashes and more.
Decilveo hopes with her success she can empower and mentor the next generation of women working in the studio. She works closely with the non-profits She Is The Music, Women’s Audio Mission and Moving the Needle which all encourage young women to enter the field of music.
DIRECTOR
Amy Hodge
Amy’s recent production of Mr Gum and The Dancing Bear – The Musical! at the National Theatre was nominated for an Olivier Award for best family show 2020. She has directed in some of the biggest theatres in the country including, The Globe, The Royal Exchange and The Young Vic. She was Associate Director at Headlong 2015-18 and recipient of the Jerwood Directors Award 2008.
SET & COSTUME DESIGNER
Joanna Scotcher
Joanna is a multi award-winning production designer within the Live Arts industry. She is based in London, working across the UK and internationally. Her credits include RSC, Old Vic, Channel 4 Arts, The Royal Opera House. Her recent theatre work includes productions at Shakespeare’s Globe Theatre, Young Vic, Royal Court, Manchester Royal Exchange, Chichester Festival Theatre and the Abbey Theatre, Dublin. Awards include the Olivier for Best Costume Design, Emilia and Whatsonstage ‘Best Set Designer’ Award for The Railway Children.
CHOREOGRAPHER
Dannielle ‘Rhimes’ Lecointe
Dannielle ‘Rhimes’ Lecointe is a choreographer, actor, spoken word artist, speaker and business owner.
For the National:
In London’s West End: as performer, Into the Hoods; as associate choreographer, Everybody’s Talking About Jamie
Other theatre includes: as a performer, Pied Piper and Over the Edge for Boy Blue Ent; as choreographer, Dick Whittington for National Theatre, Into the Hoods: Remixed for ZooNation: The Kate Prince Company; as Boadicea choreographer and a performer, tours of Digitized, Limitless, Limitless The Reboot and Up Close and Personal with Diversity; as assistant choreographer and dance captain, London 2012 Olympic Opening Ceremonies; as associate choreographer, An Officer and a Gentleman on UK tour; as assistant choreographer, Sylvia for ZooNation: The Kate Prince Company; as director, Groove on Down the Road for ZooNation Youth Company at Wolverhampton Arena, Birmingham Hippodrome and Southampton Mayflower
Dannielle ‘Rhimes’ Lecointe was previously Artistic Director of ZooNation Youth Company. She founded The Artist Hub and is the CEO of I M Power Creatives.
TV
Got to Dance (choreographer for Boadicea Crew and Supercrew), So You Think You Can Dance (assistant choreographer), BBC Young Dancer (judge/mentor)
Film
As performer: Life and Lyrics, Street Dance 3D; as associate choreographer, Everybody’s Talking About Jamie
LIGHTING DESIGNER
Zoe Spurr
Zoe Spurr is an award-winning lighting designer who has worked on the West End, throughout the UK and internationally. Recent designs include WUTHERING HEIGHTS for the Royal Exchange; RUN SISTER RUN for Sheffield Crucible/Paines Plough; HEDDA TESMAN for Chichester Festival Theatre; HOW NOT TO DROWN at Traverse Theatre; THE PHLEBOTOMIST for Hampstead and EMILIA in the West End.
SOUND DESIGNER
Carolyn Downing
Carolyn Downing is an Olivier award winning sound designer working in a variety of fields including exhibitions, fashion, theatre and live events. Creativity and collaboration is at the heart of her work from initial concept development with fellow designers through to realisation with technical and project delivery teams. Carolyn’s work in theatre includes Summer & Smoke for Sonia Friedman Productions/Almeida nominated for Olivier Award for Best Sound Design 2019; The Welkin (2020), Downstate (also at Steppenwolf Chicago 2018/19), Mr Gum & The Dancing Bear – The Musical (2019), As You Like It (2015), Our Country’s Good (2015), The Motherf***er With The Hat (2015), Dara (2015), Protest Song (2012) and Double Feature (2011) for the National Theatre; Death Of A Salesman (Young Vic/WE 2019/20); All My Sons for The Old Vic Theatre (2019); White Teeth for The Kiln Theatre (2018); Gypsy (2019), The Producers (2018) for The Royal Exchange Theatre, Manchester; Chimerica for Almeida & Sonia Friedman Productions/West End awarded Olivier for Best Sound Design 2014; Carmen Disruption (2015), Blood Wedding (2006) for Almeida; Me And My Girl (2018), Fiddler On The Roof (2017) for Chichester Festival Theatre; BLANK (2019), Les Liaisons Dangereusse (also on Broadway 2015/16), Fathers and Sons (2014), Lower Ninth (2010), Dimetos (2009) and Absurdia (2008) for Donmar Warehouse; Hope (2014), The Low Road (2013), Choir Boy (2012) at the Royal Court; Fantastic Follies Of Mrs Rich (2017), Julius Caesar (2017), Anthony & Cleopatra (2017), Coriolanus (2017), The Gods Weep (2010), The Winter’s Tale, Pericles for the RSC (2007); The Believers (2014), Beautiful Burnout (2010), Love Song (2011) for Frantic Assembly. Designs for opera include Benjamin De Derniere Nuit for Opera De Lyon (2016) ; How the Whale Became (2013) at the Royal Opera House; American Lulu for the Opera Group (2013); and After Dido at ENO (2009). Her work in exhibitions spans a variety of styles and venues including Reimagining Wordsworth for The Wordsworth Trust, Grasmere (2020); Hut 11A: The Bombe Breakthrough for Bletchley Park (2018); Mary Quant (2019) and So You Say You Want A Revolution? Records & Rebels 1965-70 (2016) for V&A; Exhibitionism: The Rolling Stones at Saatchi Gallery (2016); Louis Vuitton: Series 3 (2015); Collider (2014) and The Constellation Storybox (2015) for The Science Museum and From Street to Trench for Imperial War Museum North (2014). Carolyn has created soundscapes for Shawn Mendes Illuminate Tour 2017 and Louis Vuitton: Spring/Summer 2015, Fall 2015, Spring/Summer 2016, Spring/Summer 2017 Ready To Wear Collection shows at The Louis Vuitton Foundation & The Louvre, Paris.
For further information and updates – www.carolyndowning.co.uk
SOUND DESIGNER
ROB BETTLE
Rob is the co-director of Sound Quiet Time. He has provided Sound Design and Engineering for musicals and plays around the Globe. He trained at Bristol Old Vic Theatre School (BA in Technical Theatre). Design Credits include: Ich War Noch Niemals In New York (German Tour); Murder Ballad (Arts); Looking A Lot Like Christmas(Live stream); Potted Panto (Live Stream); as Associate Designer: Frozen The Musical (Drury Lane & Hamburg); Anastasia The Musical (Madrid, Stuttgart, Scheveningen & Japan); Waitress (Adelphi & UK Tour); Life Of Pi (Wyndham’s); Gypsy (Royal Exchange); Something Rotten! (South Korea); Local Hero (Royal Lyceum); The Producers (Royal Exchange); Me And My Girl (Festival Theatre); The Jungle (Playhouse); Caroline Or Change (Playhouse & Hampstead ); War Horse (UK & International Tours); Fiddler On The Roof(Festival Theatre); Billy Elliot (UK tour & Circustheater); Wonder.Land (Théâtre du Châtelet & Palace); American Psycho (Almeida); The Scottsboro Boys (Garrick & Young Vic); One Man, Two Guv’nors (Haymarket & Tours); as Senior Production Engineer, Harry Potter And The Cursed Child (Palace); CHESS (Coliseum); The Da Vinci Code (UK Tour); The Moderate Soprano, Mary Stuart (Duke of York’s); Glengarry Glen Ross (Playhouse); Junkyard (UK Tour); Henry V, Blindness, Far Away, Blank, The Way Of The World, The Lady From the Sea, Saint Joan, One Night In Miami, Shakespeare Trilogy, Faith Healer, Teddy Ferrara & Les Liaisons Dangereuses(Donmar Warehouse); The Curious Incident Of The Dog In The Night-Time (UK & International Tours); A View From the Bridge (Wyndham’s); Frozen, The Elephant Man & Great Britain (Theatre Royal Haymarket); National Theatre 50 Years On Stage (Olivier); Consent, The Birthday Party, Hamlet, Nice Fish, Mojo & Chimerica (Harold Pinter); The Audience (Apollo & Gielgud); The Laurence Olivier Awards (ROH); NT Live (various productions). For more info visit, www.soundquiettime.com
ORCHESTRATOR & MUSIC PRODUCER
Jennifer Decilveo
Songwriter and producer Jennifer Decilveo began her career in 2013 after quitting her career in finance to pursue her passion of music. Jenn moved from Manhattan to Los Angeles, and first broke through in 2015 with Andra Day and the Grammy-winning track, “Rise Up.” With a focus on authenticity and a passion for crafting meaningful songs, Decilveo has since established herself as one of music’s premiere songwriter/producers, writing on Melanie Martinez’ RIAA-certified platinum single “Play Date” and Demi Lovato’s platinum single “I Love Me.” Decilveo has also seen success with Anne Marie, Miley Cyrus, Olivia O’Brien, Hinds, Cherry Glazerr, Beth Ditto, Porridge Radio, Shura, Bat for Lashes and more.
Decilveo hopes with her success she can empower and mentor the next generation of women working in the studio. She works closely with the non-profits She Is The Music, Women’s Audio Mission and Moving the Needle which all encourage young women to enter the field of music.
ADDITIONAL PRODUCTION
NICK COLER
Nick Coler
is a British songwriter, producer, programmer and multi instrumentalist.
He started his career as a a chorister singing in St Paul’s Cathedral.
He then followed the well trodden path of playing in bands and being a session musician
Playing all styles of music.
Perfect for writing musicals.
Nick has worked with Artists, Films and TV shows including.
Girls Aloud, Sugababes, Alisha Dixon, Pet shop boys, KLF, Alice Cooper / Wayne’s World, The Tweenies, Starlight express, Cher and many more.
He has been nominated 3 times for an Ivor Novello award and won various other accolades including the Yamaha music festival in Tokyo, Producer of the year and has recently won a UK Theatre award.
CASTING DIRECTOR
Rosie Pearson for Pearson Casting
Rosie is an independent Casting Director and one half of Pearson Casting, based in London, Liverpool and New York. Multi-Award nominated Pearson Casting work across musicals, drama, film, live performance and commercials. Recent theatre work includes SIX The Musical (West End & UK Tour; RENT (Hope Mill Theatre); Operation Mincemeat (Southwark Playhouse & Edinburgh Fringe; By The Waters of Liverpool (UK Tour), Stay Away Jake (Southwark Playhouse); Jerry Springer The Opera (Hope Mill Theatre); Forever Plaid (Upstairs at the Gatehouse) and Phantom Folktales (PigPen Theatre Co).
Recent feature films include Crystal (Xenon Films – release date 2022); Stephen (Melanie Manchot – release date 2022); Fetch (Hurricane Films, release date – 2022)
They are soon to announce their first US National Theatre tour, due to open in 2022.
ASSOCIATE DIRECTOR
Ellie Hurt
Ellie is a Liverpool based director and Artistic Director of The B Collective. Recent assisting credits include: National Theatre (Hamlet and The Winter’s Tale) Bolton Octagon (Treasure Island), and Liverpool Everyman and Playhouse (Fiddler on the Roof). Ellie was also part of the summer programme at Grosvenor Park Open Air Theatre with Storyhouse, and was Assistant Director on Twelfth Night. Directing credits include Henry Naylor’s The Collector at Liverpool’s Hope Street Theatre; Murder Ballads by Gerry Smyth at Liverpool’s Royal Court Studio, The Other Palace, Edinburgh Festival Fringe and North West tour and Off the Ground Theatre’s Sinbad, a national outdoor tour. Ellie was a member of the Young Directors Programme as part of Young Everyman and Playhouse, and completed a Reach Out Placement as part of the Directors Programme at the Young Vic. This summer, Ellie will direct and tour Routes with Theatre Témoin at outdoor arts festivals across the UK, working with refugees and asylum seekers.
ASSOCIATE CHOREOGRAPHER
Jackie Kibuka
Jackie is an authentic, passionate and versatile movement artist with over 12 years experience in many dance styles. She’s loves story telling and always looks to inspire and encourage others through performance and teaching. With her diverse training background the classes she teaches are always fun, uplifting and empowering. Her top credits include Breaking Convention, London Fashion Week AW18, Diversity Live, ITV Loose Women, Resolution Festival, Clout! Fringe Festival (2019), The Tide – Talawa Theatre Company, Everyone’s Talking about Jamie (film), Body Politic – THEM, Some Like It Hip Hop (2019) a ZooNation production, English National Opera – Drive in Live and National Theatre – Dick Whittington Panto.
MUSICAL DIRECTOR
Audra Cramer
Audra Cramer is a music director, arranger, teacher, and performer. Born and raised in Central New York, Audra worked in New York City and the regional US before coming to the UK in 2017. Her most recent credits are Six (Cover MD/Joan, West End) and Rent (Alternate Music Director, Hope Mill Theatre).
As a teacher, Audra has held both permanent and guest tutor positions at the following universities: Mountview, Leeds Conservatoire, Royal Conservatoire of Scotland, and London College of Music. She also runs her own studio, teaching private lessons to professionals all over the world.
Love to Mom, Dad, Tom, Paudra, Don, and family!
Pronouns: she/her
LIVE ARRANGEMENTS
Jen Green
Jen is a London based orchestrator and arranger. She works regularly with the leading names in musical theatre and music production and has orchestrated for artists including Alison Moyet, Elaine Paige, Rick Wakeman, Beverley Knight, Pixie Lott, Joss Stone, Mick Hucknall, The Shires, Ian Broudie, Squeeze, Graham Coxon, Paul Carrack, Tom Robinson, Noah Stewart, Billy Bragg, Bella Hardy, Kate Rusby, Gabrielle Aplin, Andreya Triana, I am Kloot, Hue & Cry, Bright Light Bright Light.
Stage & live credits include: Vanara (Hackney Empire), Killing the Cat (S&S Productions), The Gingerbread Man (Singapore Repertory Theatre), ComposHer (London Contemporary Orchestra), Carl Davis’s Chaplin the Tramp (Slovak National Theatre), Carl Davis’s The Great Gatsby (Pittsburgh Ballet Theatre), Dr Dolittle (Music & Lyrics, UK tour), Chicken Little (Singapore Repertory Theatre), Baku 2017 (4th Islamic Solidarity Games), Wasted (West Yorkshire Playhouse), Baku 2015: 1st European Games (European Olympic Committee), Tim Rice: A Life in Song (Senbla Productions), Elaine Paige Farewell Tour (SJM Concerts), From Hackney to Hollywood: The Don Black Songbook (Senbla Productions), Dance ‘Til Dawn (additional orchestrations, UK tour & Aldwych Theatre), Van Winkle – a folk musical (studio cast recording, SimG Productions), A Musical Night of Queen (Royal Liverpool Philharmonic).
Radio, film & media credits include: Perfect Planet (additional orchestrations, BBC 1), Bridge Over Troubled Water: 50th Anniversary (contributing orchestrator, BBC Radio 2/Sony), Epic Cinemascapes (Audio Network), The Queen And I (additional orchestrations, Sky One), I Feel Love (BBC Radio 2/BBC 4), Battle of Britain at 75 (BBC Radio 2), Great American West (Audio Network), I Love You Daddy (additional orchestrations, Pig Newton/Jax Media), D-Day 70 years on (BBC radio 2), JFK: Minute by Minute (BBC Radio 2), The Dambusters 70 Years On (BBC Radio 2), 12 Hours to Please Me (BBC Radio 2/BBC 4), Titanic: Minute by Minute (BBC Radio 2).
As assistant orchestrator: She Loves Me (Menier Chocolate Factory), Classical Favourites (Audio Network), Opera Favourites (Audio Network), Candide (Menier Chocolate Factory), I Can’t Sing! The X-Factor Musical (London Palladium), The Colour Purple (Menier Chocolate Factory), National Theatre: 50 Years on Stage (National Theatre/BBC 2), Symphonic Coldplay (Royal Philharmonic Orchestra).
Jen read music at Worcester College, Oxford, where she studied composition with Robert Saxton, and holds an MA in Musical Theatre from Goldsmiths, University of London. She is delighted to be a recipient of Transmission Funding (2019) and an Emerging Excellence Award (2015), both from Help Musicians UK.
“Jen’s orchestration and arranging work has style and originality. She is a joy to work with.”
Mike Dixon
“Dazzling talent…beautiful and sensitive work.” Leslie Bricusse
“Stunning orchestrations throughout” Broadway World (for Van Winkle: A Folk Musical)
CHILD ADMINISTRATOR & CHAPERONE
Jo Hawes
Jo Hawes was awarded the Special Recognition Olivier Award in 2020 after spending the last 27 years casting children in over 150 spectacular productions.
Jo trained at LAMDA and began her career at the Theatre Royal Windsor in Stage Management. In London she was part of the Stage Management teams for ANNIE, THE PIRATES OF PENZANCE, ON YOUR TOES and LA CAGES AUX FOLLES. Following several years as a theatrical PA she became the Children’s Casting Director for OLIVER! at the London Palladium in 1995. Many spectacular shows have followed – current productions include LES MISERABLES in London and on tour, MARY POPPINS, BEDKNOBS AND BROOMSTICKS, THE OSMONDS, THE DRIFTERS GIRL, JOSEPH AND THE AMAZING TECHNICOLOUR DREAMCOAT, FANTASTICALLY GREAT WOMEN WHO CHANGED THE WORLD, IDENTICAL, BILLY ELLIOT at Curve in Leicester and DISNEY’S NEWSIES.
Jo runs a variety of courses and classes for children in the UK and abroad including Masterclasses in the Art of Auditioning, Performing Arts Holiday Courses and Mental Health Courses for chaperones.
Jo is the author of CHILDREN IN THEATRE – a guide for parents who find they have a performing child in their family.
Joanne.hawes2013@gmail.com johawes.com
PRODUCTION MANAGER
Tamsin Rose
ASSISTANT DIRECTOR
Aisling Gallagher
PRODUCTION TEAM
IAN WHEATSTONE
Company Manager
SARA COWMAN
Deputy Stage Manager
OLIVIA GIDDINGS
Assistant Stage Manager
JAMES STOKES
LX 1
JAMES SCOTNEY
Sound 1
BENJAMIN LAWS-WILLIAMS
Sound 2
ALISON REID
Tech Swing
NICOLA STIMPSON
Head of Wardrobe
Kenny Wax
Kenny has just finished a three-and-a-half-year term as President of the Society of London Theatre (SOLT) – the trade organisation for the West End Theatre industry – a role he has fulfilled while running his own successful production company for the past 25 years. He is one of the most prolific of a younger generation of producers and during the Christmas of 2019 he had five productions running concurrently in the West End.
Notable productions include his 2013 world première of Top Hat, which won three Olivier Awards including ‘Best New Musical’. In 1995 he produced Once on This Island also winning in the same category and last year his production of The Worst Witch won the Laurence Olivier Award for ‘Best Family Entertainment’.
Kenny is renowned for producing some of the best family theatre both in the West End and on tour. Productions include What the Ladybird Heard (touring the UK in 2021), We’re Going On A Bear Hunt, Around the World in 80 Days, Oi Frog & Friends! and the Olivier nominated stage adaptation of Jacqueline Wilson’s Hetty Feather.
His current success is SIX which, at the time of the lockdown, had run for four sold out weeks on Broadway prior to its official opening night and was enjoying sold out runs in the West End and on a UK tour. It was running on two cruise ships and was about to reopen in Chicago. He is thrilled that the show has reopened in the West End and will be opening on Broadway in the Autumn. In 2023 the show will begin a world tour starting in Manilla.
Kenny has so far produced six shows with Mischief Theatre: including The Play That Goes Wrong (winner of the Olivier Award for ‘Best New Comedy’), which reopened in the West End at the Duchess Theatre in June 2021; Peter Pan Goes Wrong has played the West End twice; The Comedy About A Bank Robbery ran for nearly four years at the Criterion Theatre; Mischief Movie Night gained Mischief their fourth consecutive Olivier nomination and was streamed for the first time all over the world in December 2020; Groan Ups played at the Vaudeville in autumn 2019 and will be touring the UK from summer 2021; Magic Goes Wrong was made in collaboration with notorious magicians Penn & Teller and will reopen in 2021 in the West End and on a UK tour. Recently, Kenny set up Mischief Screen with Mischief Theatre, having been the Executive Producer of two Christmas television specials on BBC 1: Peter Pan Goes Wrongand A Christmas Carol Goes Wrong. Last spring, Mischief hit the airwaves again with a six-part comedy series commissioned by BBC1, The Goes Wrong Show, now available on DVD and to stream. The second series is currently in production.
In development and soon to be on stage is the brand-new family musical Identical based on ‘The Parent Trap’ and directed by Sir Trevor Nunn.
MAST Mayflower Studios
MAST is a multi-art form cultural hub presenting and producing theatre, dance, musicals, music, comedy, circus, cabaret, spoken word, visual arts, family shows. They support artists living, making work, or with a connection to Southampton and Hampshire.
MAST is community-led, with engagement and consultation at the heart of everything they do. They work with the best touring companies and local artists to present a diverse, vibrant, high-quality artistic programme, alongside their own MAST productions and co-productions.
General Management
SIOBHAN HIGGINS – General Manager (Maternity Leave)
EMILY MCDONALD – General Manager
FIONA BRADLEY – Acting General Manager
NAT HABETY – Head of Marketing
SARAH O’HANLON – Senior Marketing Coordinator (Maternity Leave)
ZOE JACKSON – Senior Marketing Coordinator (Maternity Cover)
OLIVIA JOHNSTON – Marketing Assistant
ELIZA LARKEY – Social Media and Digital Content Designer
KATIE WILMORE – Production Coordinator
SUSANNAH JACOBS – Production Assistant
KELLY BULLED – Tour Booker (Maternity Leave)
TIM HENNESSY – Tour Booker
LETTIE GRAHAM – Chief Operating Officer
JENNIFER AMEY – EA to Kenny Wax and Tour Booking Assistant
AMANDA SUTTON – Graphic Designer
GEMMA PRINCE – Office Assistant
ASHAKE MAJEKODUNMI – Financial controller
ROB LEWTAS – Management Accountant
NATALIE GIES – Accounts Assistant
VICENTE CASANA – Accounts Assistant
CLAIRE HARRISON – Payroll Manager
RACHEL CASTORINA – Junior Accounts Assistant
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- You have given Fantastically Great Women Who Changed The World permission to do so
- Processing your personal information is in Fantastically Great Women Who Changed The World legitimate interests
- Fantastically Great Women Who Changed The World needs to comply with the law
Fantastically Great Women Who Changed The World will retain your personal information only for as long as is necessary for the purposes set out in this Privacy Policy. We will retain and use your information to the extent necessary to comply with our legal obligations, resolve disputes, and enforce our policies.
If you are a resident of the European Economic Area (EEA), you have certain data protection rights. If you wish to be informed what Personal Information we hold about you and if you want it to be removed from our systems, please contact us.
In certain circumstances, you have the following data protection rights:
- The right to access, update or to delete the information we have on you.
- The right of rectification.
- The right to object.
- The right of restriction.
- The right to data portability
- The right to withdraw consent
Log Files
Fantastically Great Women Who Changed The World follows a standard procedure of using log files. These files log visitors when they visit websites. All hosting companies do this and a part of hosting services' analytics. The information collected by log files include internet protocol (IP) addresses, browser type, Internet Service Provider (ISP), date and time stamp, referring/exit pages, and possibly the number of clicks. These are not linked to any information that is personally identifiable. The purpose of the information is for analyzing trends, administering the site, tracking users' movement on the website, and gathering demographic information.
Cookies and Web Beacons
Like any other website, Fantastically Great Women Who Changed The World uses 'cookies'. These cookies are used to store information including visitors' preferences, and the pages on the website that the visitor accessed or visited. The information is used to optimize the users' experience by customizing our web page content based on visitors' browser type and/or other information.
For more general information on cookies, please read "What Are Cookies".
Privacy Policies
You may consult this list to find the Privacy Policy for each of the advertising partners of Fantastically Great Women Who Changed The World.
Third-party ad servers or ad networks uses technologies like cookies, JavaScript, or Web Beacons that are used in their respective advertisements and links that appear on Fantastically Great Women Who Changed The World, which are sent directly to users' browser. They automatically receive your IP address when this occurs. These technologies are used to measure the effectiveness of their advertising campaigns and/or to personalize the advertising content that you see on websites that you visit.
Note that Fantastically Great Women Who Changed The World has no access to or control over these cookies that are used by third-party advertisers.
Third Party Privacy Policies
Fantastically Great Women Who Changed The World's Privacy Policy does not apply to other advertisers or websites. Thus, we are advising you to consult the respective Privacy Policies of these third-party ad servers for more detailed information. It may include their practices and instructions about how to opt-out of certain options.
You can choose to disable cookies through your individual browser options. To know more detailed information about cookie management with specific web browsers, it can be found at the browsers' respective websites.
Children's Information
Another part of our priority is adding protection for children while using the internet. We encourage parents and guardians to observe, participate in, and/or monitor and guide their online activity.
Fantastically Great Women Who Changed The World does not knowingly collect any Personal Identifiable Information from children under the age of 13. If you think that your child provided this kind of information on our website, we strongly encourage you to contact us immediately and we will do our best efforts to promptly remove such information from our records.
Online Privacy Policy Only
Our Privacy Policy applies only to our online activities and is valid for visitors to our website with regards to the information that they shared and/or collect in Fantastically Great Women Who Changed The World. This policy is not applicable to any information collected offline or via channels other than this website.
Consent
By using our website, you hereby consent to our Privacy Policy and agree to its terms
